Downtown Fun

I gave $3 and a hug to a drunk Indian woman downtown. In exchange, she offered me her protection. If anyone fucks with me, Francis will kick their ass.

Shower

Strip down
cast aside the grime
Slough off the pine and snow
Failures and frozen feet flow away
Rub some pavement in you scalp
Warm water leaves
bus lines on your back
Birds drowned out by machines
Breathe in the chemicals to wick away the northern air
Breathe out
Ask
Am I happy now?

Hot Drink Liquids script #1 Finished

Hot Drink Liquids
Episode 38b – “She’s Alright, She’s Alright”
EXT- Entrance to shop
GILLIS is sitting outside the shop, playing his harmonica, stacks of boxes. GREG and BRANDON come up.
GREG
Mornin’ Gillis!

GILLIS
Boys! Whack la fol de rol de daddy-o!

BRANDON
It’s 8 in the morning, Gillis. How are you already drunk?

GILLIS
I’m just getting a headstart on the day, boys! Now, I got ya books f’ the week!

GREG
Great, let’s get the shelves stocked up then.

The boys take the boxes into the back room, and start to unpack. To their surprise, every box is filled with massive bags of white powder.

GREG
Oh…. Uh…. This…. This isn’t Spiderman….

BRANDON
Oh god. Oh god! What is this??

Gillis drunkenly looks in on them.

GILLIS
Looks like about 100k. If ya boys had told me ya were changing ye business, I’da informed ya of a purchasa.

GREG
How the hell did this happen? We wanted comics, Gillis, not… HEROIN!

GILLIS
That’d be cocaine, actually, boys. Pure and uncut, it is.

GREG
I don’t care if it’s ECSTACY! It’s sure as hell not Wolverine #213!
GILLIS
Aye, right ye are. (Gillis smiles happily)

BRANDON
Gillis. What. Happened. To our comics??

GILLIS
Good question, boys, good question indeed.

FLASHBACK: Gillis is outside a warehouse, drunkenly looking at the boxes in his truck. The camera blurs, and he pulls out a stack of boxes labeled for “734 Beat Street” and drops them in front of a door labeled “134”.

GILLIS
Ah… I MAY have mixed up th’ packages.

BRANDON
What are we going to do?

GREG
We have to get our comics back. Gillis, do you know where these boxes were supposed to go?

GILLIS
Ah, why doncha just check th’ address label?

(beat)

GREG & BRANDON
Oh. Right.

(“commercial” Break)

Greg and Brandon get off the bus in a shady-looking warehouse. The bus door closes, there is a gunshot noise. They both throw themselves to the ground.

BRANDON
Oh god. We need to get our books back before we get got.

GREG
…what?

BRANDON
Er… Killed.


GREG
Ah. Use English from now on.

BRANDON
*sigh* Right.

Anyway, what do we do now? I mean… we can’t just go up and TALK to them, can we? They ordered a dozen boxes of cocaine through the MAIL. They must have some serious pull. We’d never be seen again! I can’t die single, Brandon! I can’t!

Brandon stands, pulling Greg along with him. Brandon grips Greg firmly by the shoulders.

BRANDON
Focus, man! What are they going to do with comics? We’ll just offer a trade and explain we won’t press criminal charges. It’s in everyone’s best interest to go along, got it?

GREG
R-right. *deep breath* Okay. Let’s go talk to them.

Brandon and Greg approach the door cautiously. They knock, and a rough-looking gentleman opens it and glares at them.

Greg
Um. Hi. My name is Gregory Vigoda. Me and my friend Brandon Law here own Hot Drink Liquids over on the 700 block. We… uh… We got your shipment by mistake, and we think you got ours. Boxes of comics? We’d… We’d just like to trade your… uh… stuff back for ours… We don’t want ANY trouble…

The man grunts “Okay” then closes the door.

Greg
See Brandon? No trouble at all.

Cut to Brandon and G regtied up in the warehouse.

Brandon
…I hate you sometimes.

Cut to black/commercial.

Greg
What the hell, guys? I swear, we’re not gonna narc on you! Why can’t we just take our comics and go?

THUG #1
Yeah… sorry bub. That’s not happening.
Brandon
Well why not? We just want our comics back!

Thug #1
We’re keeping them.

Greg
But… why?? What possible good do they do you?

Thug #1
We like ‘em. Especially the ones with Scrooge McDuck.

Brandon
But there’s dozens of copies of each comic in there! Why do you need to keep them all?

Thug #1
Chainsaw wants to start collecting them.

Brandon
Ch-Chainsaw?

Chainsaw grunts.

Brandon
Oh. Then… what are you going to do?

Thug #1
We’ll leave Chainsaw to guard you, go get our shipment from your store, then dump you both in the river.

Thugs exit, leaving Chainsaw and the guys behind.

Greg
So… Um… Chainsaw… I heard you like comics?

Chainsaw grunts and pulls out a comic book, which he begins to read. B begins wriggling in his seat.

Chainsaw
No escaping.

Brandon
Sorry sir.

EXT HDL – Steve and Hannah are waiting outside the shop. A van pulls up, and the thugs come out.
Steve
Hey guys. The shop’s not open yet. I guess the owners are still stocking the new stuff.

Thug #1
Oh, don’t worry. We’re here to help. Thug draws a gun. Get out of the way, fatso.

Steve
Oh balls. Another robbery?

Thug #1
I said out of the way!

Steve
Very well then. Steve steps to the side, and when the thugs go to break the door down, Steve pushes them and Hannah kicks them in the balls, taking their weapons.

Hannah
Looks like another robbery, Mordman. Tie them up and then figure out where Greg and Brandon are.

Steve
Yes fearless war-chief!

Cut to: A phone receiving a text message from Brandon. A hand reaches out, reads the message, and then grips the phone in an “action clench”.

INT Warehouse

Greg
We’re going to die, aren’t we?

Chainsaw
Yup. Most likely.

Greg sighs
Greg
I had a feeling it would end like this. Tied up while thugs steal my stuff.

Chainsaw
Funny how life works out that way, huh?

Brandon (whisper)
Don’t worry. I was able to send a text. That’s why I was wiggling.

Greg (whisper)
Fantastic! You sent a message to the police?
Brandon
You can do that??

Greg
Yeah, they set it up a couple years agoooowaitaminute. Who DID you text then?

Brandon
Um. Z?

Greg
Wha… Bu… How’s HE supposed to help?

Brandon
Just… I… I believe in him, okay? Just you wait. He’ll bust us out of here.

Greg
Yep. Gonna die.

Chainsaw
Hey! Shaddap! I’m tryin’ t’ read here-

Suddenly a foot flies in from off-screen and nails Chainsaw in the face! It’s Ezekiel!

Zeke
Hey guys! Got your message. What’s up?

Greg
Oh, you know, thugs wanted to murder us and take our comics. Thanks for the help.

Zeke
No problem. I wanted the new Spiderman anyway. Let’s get the comics loaded in the van before anyone else shows up.

EXT HDL. Zeke, Brandon, Greg, Hannah, and Steve are unloading the boxes from the back of the van.

Greg
Hey Brandon… Um… What are we going to do with the Coke?

Brandon
Hmm? Oh, don’t worry. I have an idea…

INT HDL Brandon and Greg are behind the counter, reading comics. The music on the radio cuts to a news report.


Radio
In today’s “News of the Weird”, the city of Spaska reports massive fish die offs as a result of over 100 lbs of cocaine being dumped in the waters recently.

Greg
Hey, pass me the clipboard. Thanks. So, what DID you do with all that cocaine anyway?

Brandon
Oh, I gave it to Gillis. He said he knew some people who could make use of it.

Gillis drives very fast past the shop, naked and listening to Irish folk music at 2X speed. He shouts something indecipherably Gaelic as he passes the shop.

Greg
Glad we washed our hands of that mess.

ROLL CREDITS

Hot Drink Liquids, Episode ?.? "She's Alright, She's Alright"

Page 1 of an unfinished Hot Drink Liquids script. The series will be a comedy about the lives, loves, and misadventures of a pair of comic shop owners, their patrons, and their insensitive stereotype of a delivery guy.

EXT- Entrance to shop
GILLIS is sitting outside the shop, playing his harmonica, stacks of boxes. GREG and BRANDON come up.
GREG
Mornin’ Gillis!

GILLIS
Boys! Whack la fol de rol de daddy-o!

BRANDON
It’s 8 in the morning, Gillis. How are you already drunk?

GILLIS
I’m just getting a headstart on the day, boys! Now, I got ya books f’ the week!

GREG
Great, let’s get the shelves stocked up then.

The boys take the boxes into the back room, and start to unpack. To their surprise, every box is filled with massive bags of white powder.

GREG
Oh…. Uh…. This…. This isn’t Spiderman….

BRANDON
Oh god. Oh god! What is this??

Gillis drunkenly looks in on them.

GILLIS
Looks like about 100k. If ya boys had told me ya were changing ye business, I’da informed ya of a purchasa.

GREG
How the hell did this happen? We wanted comics, Gillis, not… HEROIN!

GILLIS
That’d be cocaine, actually, boys. Pure and uncut, it is.

GREG
I don’t care if it’s ECSTACY! It’s sure as hell not Wolverine #213!

Looking for Laika

eight years following Orion
keeping pace with Apollo
seven months to go
looking for a ghost in space
i decided to go looking a long time back
she’d been lost for 80 years,
picked off the streets to die miles from the world
the only ghost in space
i know where she went
after she died
to play with all the other dogs
chasing Lepus for Orion
barking and howling with the other stars
even at the speed of light it takes me over eight years to arrive
but i hear her bark
so i take out the bag
prepared for the trip
biscuits
ball
brush
come here girl
let’s go play
хорошая собака Лайка

I've fallen so hard, I can't remember what the world outside looks like. The walls are too steep to climb out. The only way to go forward now is with a shovel. It's a good thing that I like digging.

Selling Out pg 1 V.2

I spent some time "inking" and adding a bit of color to the first page. I think it's easier to look at now.

Selling Out, Pg1

Bacon & Ragnarok

There exists a dish called the "Bacon Explosion." It is bacon, wrapped around sausage, wrapped around bacon. This meat cigar is then smoked over flavorful wood chips and coated with sauces.

When the great wolf Fenrir swallows the sun, when Loki slips from his bonds in Hel and rides a ship made of dead men's toenails to lead the Frost Giants in their final battle against gods and men, I will be there. When Odin calls upon his sons to fight, I will be grilling. And on that day, that end-of-days, in the quiet moments before the first blow is cast and the world ends, on that day men and gods, giants and dwarves, warriors and beasts will all share in one final meal, one brief moment before they set upon each other.

The Bacon Explosion is the only acceptable meal in this case.

A Shadowrun Story

This is a short story I wrote based on a side-side quest offered by the GM of my Shadowrun game. As such, there are details that my gaming group is aware of that add to the story, but I feel it stands alone well enough to be posted here, especially since I haven't put up anything since the Watchmen rant back in February.

---------------------------------------------------------------------------------------

Bad Acid

Seattle. Late October. 2070. A teenage girl gets a call while walking home from school.
“Hello, this is Liz~” she answers with a smile.
“Melissa? This is Zeke. From the book signing.” The voice on the other end of the line has been worn away by years of too much whiskey and harsh living.
“Oh! I remember you! What’s up?”
“You remember what we talked about? Heavenly Star?”
“Of course. You wanted to talk to my brother, right?”
“Yeah. Like I said, I’m looking to expand my conscious and understand the astral.”
“Totally! Tell you what, meet me and Ben outside the café on 3rd street. Lightning?”
“I know the place. You’re going to be there?”
“Yeah! I’ll introduce you two.”
“…okay. What time?”
“Oh, around five. That okay?”
“That’s fine. See you there.”
“Bye bye!”

* * *

At 4:57 PM, a man with jet black eyes and a shotgun slung over the back of his coat pulls his motorcycle to a stop in front of Lightning, a café barely out of the Barrens. There’s a girl of about 14, with nails painted like obsidian and silky hair, dyed to match. Sitting at the table with her is an older boy, hair dyed red and spiked. He has the same eyes as her, except his lack the heavy black makeup smeared across them. The girl waves at the biker and smiles.
“Zeke! Over here!” She gestures at a chair. When he sits, she leans in close. “This is my brother Ben. He’s the one who started me on this spiritual enlightenment. He’s really great.” The boy, Ben, looks to be about 19. He leans forward as well.
“Lizzy tells me you have an interest in expanding your mind and seeing what reality has to offer.” Zeke, the man with the long black coat, turns to face him.
“Yeah. I’ve sort of got this feeling, this connection with something greater than myself. I wanted to explore that. I talked to Melissa, at the book signing the other day, and she told me you could give me something that would help with that.” The scars around his blank eyes crinkle. “You can help, right?”
“Of course man. I’ve got just what you need. It’ll take you right to the heavens. Follow me.”
Ben leads the two into an alley across the street. Ducking behind a rusting staircase, he gives Zeke a quick upward nod.
“Heavenly Star, yeah?” Zeke nods.
“20 nuyen for your first hit.” Ben pulls out a small bag with pills in it. “I’m… not entirely sure how this will react with your cyberware, but if you’re not too teched-out I think you’ll be okay.”
Zeke reaches into his jacket as if to pull out a credstick, but when his hand reappears it’s holding a large handgun with Japanese characters etched in the side.
“Good. Now we’re gonna have a talk.” He levels the gun at Ben’s head, but when Melissa lets out a small, frightened shriek, he turns his head to her.
“Oh god. Oh god. No. Don’t kill us! Please!” Her tears leave black streaks of cheap makeup on her face.
“Melissa, go home. If your brother behaves, I won’t hurt him. I wish you hadn’t been here, but I promise, I don’t want to hurt either of you. Go home, and Benjamin will be along shortly.” After she backs away down the alley and runs out of sight, Zeke focuses on Ben again.
“Oh shit, man. Listen, I’m- I’m small-time! I-“
“Shut up. You’re lucky. A couple of days ago, I would have gotten the info I needed and then blown your goddamned head off. But recently, I learned that some guilty men should get second chances. So if you cooperate, I’ll let you go, so long as you stop this drug shit and do something with your life. Got it?” Ben nods, keeping his quivering eyes on the barrel of the gun. “Who’s your supplier?”
“A m-man named RedFlower. He operates out of a w-warehouse by the Sound. I-I’ll give you the coordinates.” A series of digits pop into the edge of Zeke’s vision, and he lowers the gun.
“Go home, Benjamin. Stop selling this shit, and get your sister off of it too. Don’t waste your second chance.” Ben nods quickly and runs out of the alley. Zeke holsters the pistol, climbs back on his bike, and sets off to find the supplier named RedFlower.

* * *

About half an hour later, Zeke stops in front of an aging warehouse, indistinguishable from the dozens around but for the two massive trolls standing in front of the side door. He walks up calmly, but they still level their shotguns at his chest.
“Who d’fuck,” growled the one on the right, “are you?”
“Just looking for RedFlower. Wanna talk to him.” Zeke attempts a comforting smile, an effect marred by the two pistols under his open jacket and the mangled skin by his eyes.
“Leave yer pieces wif us, ‘n’ we tink ‘bout it.”
“That’s not gonna happen, friends, because I intend to let these ‘pieces’ do the talking.” As he finishes his line, Zeke drops to the ground and draws his two pistols. Before the guards can even fully squeeze off their shots, he’s put a round into one of their kneecaps, sending their buckshot flying to the sky. As the trolls drop, Zeke kicks off to his right and lands another round into each guard’s head. He slams open the door, now painted with the contents of the former trolls’ heads. Four men are in the warehouse, just turning to the sounds of gunfire. He switches on the smartlinks on his pistols, allowing him to see the world through his guns as well as he could through his own eyes.
“Which of you is RedFlower?” he asks the stunned occupants.
The man to the back of the warehouse turns and runs as the other three reach for their own guns. Zeke closes his eyes and squeezes both triggers, shattering the hands of the two men closest to him. The third manages to fire at Zeke, but the bullet simply glances off the armor plates in his jacket. Zeke rolls forward and shoots again, leaving crimson craters in the chests of the two one-handed misfortunates. When the third man sees his comrades collapse, his nerves waver, giving Zeke the split second he needs to adjust his aim and end the final shooter’s life before bolting off after the fleeing RedFlower. Zeke tackles the supplier with a grunt, then rolls to his feet and aims both guns at the prone man.
“I assume you’re RedFlower?”
“Oh fuck! I didn’t do nothin’ man! What do you want?”
“Oh, you did something alright. You make drugs, don’t you RedFlower? Bad hallucinogens. Then you sold them to dumb kids, promising to improve their lives.”
“Fuck, dude, you mean that Heavenly Star shit? Do you realize how popular that got after that damn Astral Projection for the Mundane book came out? Was I suppose to ignore that opportunity?”
“Destroying minds for profit. Bastard. Who else makes that shit?”
“I’m the only one! Nobody wanted it, it gives shitty trips, but I had a couple dozen hits left over, and after I told those spacey astral kids it’d help them see beyond the world, they ate it up! I was gonna sell the formula to the Halloweeners, but that’s all! I didn’t even do that yet!”
“So this stuff ends with you?”
“Yeah! I promise, let me go and I’ll flush everything I’ve got left and wipe the discs with the formula! It’s all here in the ‘house! I can do it now if you want!”
“I think I’ll just guarantee it’s gone myself,” growled Zeke as he pulled the triggers and let RedFlowers blood spatter his clothes, “and save you the trouble of ever ruining a kid again.”
Zeke turned his back on the supplier’s ruined corpse and walked back to the production tables. Pouring out the vials and dumping the pills and datadiscs onto the concrete floor of the warehouse, he ground all the pills under his boots and shot the discs to pieces.
“I still think most of these people used up their second chance years ago,” he said to the smoking guns in his hands, “Wouldn’t you agree, guys?”

* * *

Seattle. Late October. 2070. In a middle-class house, a young man and his sister talk about understanding life and about second chances, and both agree to try a different approach to living. In a warehouse by the water, six corpses without any more chances grow cold in the salty air. And in a half-decayed apartment on the edge of the Barrens, a man with jet-black eyes tells a pair of guns that he’s decided an Irishman from a mansion across town should probably be given the first chance that a broken man with scars on his face was too blinded by grief to offer when it should have been.

First person

When we write in the first person, how separate are we from the character whose story we're telling? When Leo says "I cracked the guard across the back of his skull, the cross leaving a little scorch mark in his hair." is Leo really a separate entity from me? Or has he become a transference of myself? Is the story just a series of interesting events to put Leo through, or is there a part of me that wishes I could live this story? Is Leo my avatar in this impossible world? If I delete the text files that Leo exists in, have I then killed a part of myself?

This is what i think about at 4 AM.

Smoker

I can’t really feel the cold anymore. My mind is on other things. Red lips, blue smoke, white snow, black sky. She takes another drag, blows another cloud at the streetlights. The sickly yellow glow is temporarily obscured by a haze of expelled chemicals. We’re talking about the play, about her dog, about the city. The smell hasn’t bothered me in years. It used to sting my eyes, make me sneeze, make my ears pop, but now it just reminds me of people I love. She finishes, blows out the final twisting blue serpent. My fingertips are black with grease and dust from the mechanisms, hers faintly orange from the nicotine and tar. They curl together, and she leans in close to me. I can taste lipstick and tobacco. Walking down the road, headed nowhere, everything is right. I can feel Death, closer to her than me, but for now, the only thing I care about is our lives. And for now, our lives are better than they’ve ever been.

Zombies

Consider with me, if you will: The Zombie Apocalypse. The Zombocalypse. Particularly the picture of it painted by Left 4 Dead. The survivors featured in that game are as follows: 'Nam vet, crazy biker, poor lucky schmuck, and cute college girl who watches horror movies.

Playing hours of Left 4 Dead has led me to realize the following: Most of the Zombocalypse survivors are going to be people like this. Nerds who've been trained by Resident Evil and Dawn of the Dead, or mostly crazy people with gun skills, with a few lucky schmucks for good measure. This is fortunate for people such as David and myself, because as nerds, we will survive, and most of the surviving girls will also be nerds. Because most of humanity has been wiped out, there are less dicks around to snatch up those nerdy girls. Our comedic prowess will help take their minds off of the horror of a dead world, and they will adore us for it.

What I'm trying to say is, after the Zombocalypse, we will get ALL OF ZE GARLS.

Addiction

I want to hate Half-Life 2. The jumping puzzles, the wonky physics, the frustrating vehicles, they all serve to make me want to never deal with that game again. But then it pulls something awesome like giving me command of an insect army to lead an assault on an abandoned prison to free the leader of the human resistance, and it's SO. DAMN. AWESOME. that I end up awake at 4 AM still running and gunning and doing that damned jumping puzzles.

Curse you, Valve, and the hold you have on my soul.